



 


|
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mick finch / c.v. |
| |
Born,
London, England.
Lives in France and London
Since January 2008
2D Pathway Leader, B.A. Fine Art,
Central Saint Martins School of Art, London, U.K.

education |
| 1982
- 85 |
Royal
College of Art, London, MA (Fine Art) Painting. |
| 1976 - 80 |
Ravensbourne College of Art, BA hons
(Fine Art) Painting, 1st class |
 solo
exhibitions |
| 2010 |
Bare Life, Tableaux 2009-10, LAS galerie, Paris, September 2010 |
| 2008 |
Taken As Read, Moments Artistiques, Paris |
| 2007 |
Point de fuite / vanishing point, gallery 33 , Berlin, Germany, November 2007 |
| 2007 |
LAS
galerie, ‘Trisquare – Closer
Than You Think,
peintures 1996-98’,
Paris, February 2007 |
| 2006 |
'Prosopopoeia',
gallery 33 at FON, Berlin, Germany, October 2006 |
| 2005 |
‘Nevermind’,
Galerie Pitch, Paris, France, November, 2005 |
| 2005 |
‘Sublimey’, Galerie
Pitch, Paris, France, January, 2005 |
| 2004 |
Mick
Finch & Olivier Gourvil, Amilly,Centre,France |
| 2002 |
'Camouflage'
(with Guillaume Paris), Galerie ÉOF, Paris, France. |
| 2001 |
'Courant d'air', la vitrine
Paulin, Solre-le-château, France |
| 2000 |
Tableaux:
1998 - 2000, Galerie ÉOF, Paris, France. |
| 1998 |
'plus
près que vous ne le croyiez', Gallery Art & Patrimoine,
Paris, France |
| 1998 |
'Closer
Than You Think 2', Le Carré, Lille, France (May '98) |
| 1998 |
'Closer
Than You Think' , Purdy Hicks Gallery, London. |
| 1995 |
David Holmes Contemporary Art, Peterboro',
U.K. |
| 1994 |
'N17',
Purdy Hicks Gallery, London |
| 1994 |
The Union, London |
| 1993 |
Purdy Hicks Gallery, London. |
| 1992 |
Pomeroy Purdy Gallery, London |
| 1991 |
David Holmes Gallery, Peterboro', U.K. |
| 1991 |
Valence House Museum, Essex, U.K. |
| 1990 |
'Sodium
Nights', Pomeroy Purdy, London |
| 1983 |
City Museum, Peterboro', U.K. |
 group
exhibitions |
| 2011 |
'One Day Wonder'. Valentines Mansion, Ilford, Essex. |
| 2011 |
'The Producers ', The British School at Rome, Rome. Exhibition documentation, exhibition images. |
| 2009 |
RCA Secrets 2009, Royal College of Art, London (images of postcards 1, 2, 3). |
| 2008 |
RCA Secrets 2008, Royal College of Art, London. |
| 2008 |
Constellation,
oeuvres sur papier, Louisa Minkin - Gérard Diaz - Florim Hasani - Mick
Finch - Julie Lorinet - Régis Rizzo - Franz Ackerman, Las galerie, Paris |
| 2008 |
‘Spitting Distance’, Mick Finch and Guillaume Paris, Five Years, London. Exhibition documentation. |
| 2007 |
Las galerie @ se0ne, London, Mauren Brodbeck, Philippe Fabian,
Mick Finch, Regis Rizzo, Claude Temin Vergez |
| 2007 |
'Doubleuse', The
Nunnery gallery , Bow
Arts Trust, London,
with Pavel Büchler, Moyra Derby, Mick Finch, Jane Harris,
Gerard Hemsworth, Louise Hopkins, Richard Kirwan, Sadie Murdoch,
Katherine McKee, Ben Ravenscroft, Caragh Thuring, Amikam Toren & John
Wilkins. |
| 2006 |
‘Mickey
dans tous ses états’, Artcurial, Paris, with
Anger, Arroyo, Basquiat, Bury, Cartiser, Castelbajac, Combas,
Condo, Dalek, Dion, Earnshaw, Errò, Finch, Galloway, Haring,
Huart, Interduck, Khazem, Khimoune, Kliaving, Lafay, Lavier, McMillen,
Mendras, Murakami, Ospina, Pavlos, Pennec, Pensato, Pras, Rancillac,
Reip, Ru, Saul, Schmid, Schmidt, Shallit, Spiller, Tianbing, Van
Caeckenbergh, Van Der Sterren, Ultra Violet, Yoshida, Ziwei. |
| 2006 |
‘Abstract
Mode’, Fosterart,
London, with Olivier Gourvil, Jane Harris, Richard Kirwan , Monique
Prieto, Danny Rolph, Gary Simmonds, Daniel Sturgis,Claude Temin-Vergez
. |
| 2006 |
‘Trendmarks’,
galerie
Suty, Coye-la-Forêt, France |
| 2005 |
'Mythomania',
suppléments
temporaires au LAAC, (Lieu d'art & action contemporain), Jardin
de Sculptures, Dunkerque.
Amikam Toren, Jane Harris, John Wilkins,
Katherine McKee, Louise Hopkins, Mick Finch, Moyra Derby |
| 2005 |
'Mythomania',
The Metropole, Folkestone, England. |
| 2004 |
'Episode
1 dessin', Galerie
Pitch, Paris. |
| 2003 |
"L'art
dans ses passages/ Ce que porte la peinture", curated
by
Tristan Trémeau, with Aristide Bianchi, Gabriele Chiari,
Ron Johnson & Roxana Stoleru. Galerie
Pitch, Paris. |
| 2003 |
'Dessins d'ici', ESAD, Amiens,
France et l'espace St-Jacques de St-Quentin, St-Quentin, France. |
| 2001 |
'Appelation
d'origine non controlée', Maison de la culture d'Amiens
and the Espace culturel François-Mitterand, Beauvais, France. |
2000 |
'Le
pays où le ciel est toujours bleu', Orleans, France.
With: Bonnefoi, Corne, Fanchon, Gelzer, Joubert, Labussiére,
Madaoui, Monteault, Perrot, Phelipott, Prulhière, Rivey,
Taïb, Turpin, Urgano Bravo. |
| 2000 |
'The
Wreck of Hope', curated by the Friedrich Society,
The Nunnery Gallery, London. |
| 1999 |
'Du côté du tableau II', with Bonnefoi,
Joubert, Pinceman,
Prulhiere and Richard. Galerie le Carré, Lille. |
| 1998 |
'Tech',
Gallerie é.o.f., Paris. |
| 1998 |
'Tech',
Jason & Rhodes Gallery, London. |
| 1998 |
'Suface', Art & Patrimoine, Paris |
| 1997 |
'push', Gallerie é.o.f., Paris with Cefai,
Colrat,Teisseire. |
| 1997 |
Ateliers Portes Ouvertes Des Artistes
De l'Oise,
Conseil Général De L'Oise. |
| 1997 |
La Biennale
d'Issy, Issey-Les-Moulineaux, France. |
| 1997 |
10 Jours de l'Art Contemporain, Galerie
Art & Patrimoine, Paris. |
| 1996 |
'Color
& Light', Jeffrey Coploff Gallery , New York. |
| 1996 |
Gallery artists, Purdy Hicks, London. |
| 1994 |
'Credo', Purdy Hicks, London. |
| 1994 |
'3/4 South Square, London with David
Hiscock. |
| 1994 |
Contemporary Art Society Art Market,
London. |
| 1994 |
' L'Ame
du Fond', Couvent des Cordeliers,
Paris (F.R.A.C. d'Ile de France). |
| 1994 |
'Drawing', Purdy Hicks, London. |
| 1993 |
'Le Sens
Figuré'. Tour of Canada : Centre Culturel Pierrefonds,
Galerie Les3 C, La Salle,
Maison de la Culture Côte-des Nieges,Studio A Montreal. |
| 1993 |
'Credo', Purdy Hicks, London.Europ 'Art
Sans Frontieres Espace Wallonie-Bruxelles, Paris. |
| 1993 |
'What Are They Doing Now', Artists from
the
BDO Binder Hamlyn Collection, London. |
| 1993 |
38e Salon de Montrouge, Paris. |
| 1993 |
Purdy Hicks Gallery Artists, London. |
| 1993 |
Collection
Colas exhibition, Colas, Paris. |
| 1993 |
The Economist Building Gallery, with
Ayres, Porter and Budd. |
| 1993 |
David Holmes Gallery, Peterboro', with
Hilton and Minton. |
| 1993 |
Parsons School of Art Faculty exhibition,
Paris. |
| 1992 |
'Lo Cal', Institute of Higher Education,
London. |
| 1992 |
Parsons School of Art Faculty exhibition,
Paris; |
| 1992 |
'Le Sens
Figuré', Centre International d'Art Contemporain,
Montréal, Canada. |
| 1991 |
Works on Paper, David Holmes Gallery,
Peterboro',. |
| 1991 |
The Green Auction, Bonhams, London |
| 1991 |
International Contemporary Art Fair,
London. |
| 1991 |
Bohnams Contemporary Art Auction |
| 1991 |
Gallery Artists, Pomeroy Purdy Gallery,
London. |
| 1991 |
The Circle Project, Bermondsey, London. |
| 1989 |
'Metro', The Cut Gallery, London. |
| 1988 |
Summer Show, Pomeroy Purdy Gallery, London. |
| 1987 |
'Peter de Francia and Artists Who Studied
Under Him',
Camden Arts Center, London. |
| 1986 |
Summer Show, The Moreton Gallery, London. |
| 1986 |
The Druce Exhibition, Camden Arts Center,
London. |
| 1986 |
Group show Art Now Gallery, London. |
| 1985 |
RCA
Final Show, The Royal College of Art, London. |
| 1984 |
Six RCA Painters, Consort Gallery, London. |
| 1981 |
'Pacesetters1', City Museum, Peterboro'. |
| 1980 |
Paintings From Ravensbourne,Concourse
Gallery, London. |
| 1978 |
The Stowells Trophey, The Royal Academy,
London. |
| 1978 |
The Northern Young Contemporaries, The
Whitworth Museum, Manchester. |

projects
|
| 2006 |
Machine
Room : a blueprint for painting, research group (Mick Finch,
Beth Harland, Louisa Minkin & Claude Temin-Vergez) engaged
with questions of painting and its contexts, workshop project,
Crate Space,
Margate, U.K., July – September 2006.
Project website : http://www.cratespace.co.uk/machineroom/
. |
 awards
and prizes |
| 2003 |
Pollock-Krasner
Foundation Grant |
| 1985 |
The Unilever Award |
| 1985 |
The Unilever Purchase Prize |
| 1985 |
The Neville Burston Award |
| 1982 |
The Milner Kite Award |
| 1976 |
The Wiggins Teape Award |
 selected
collections |
The Royal Mint Collection
Deutsche
Bank
Nelson & Hirst Fonds
Regional d'Art Contemporain d'Ile de France. Colas
Peterborough City Gallery
Unilever
Neville Burston
County Nat West
The Groucho Club
BDO Binder Hamlyn
The Circle Ltd;. Partnership, London TI
Group PLC The Royal College
of Art |
 residence
|
| 2011 |
Abbey Fellowship in Painting, British School in Rome,
January – March, 2011. |
| 2005 |
Terra
Foundation for American Art Fellowship,
Musée d’Art Americain Giverny. |
 exhibition
texts and reviews |
| 2009 |
"Cuestion de visibilidad" , dossier "Abstraccion hoy" by Tristan Trémeau, Exit Express magazine n°46 octobre 2009. Featured in the article Cuestion de visibilidad by Tristan Trémeau, about the contemporary context of painting, for the Spanish journal Exit Express. |
| 2008 |
'Montages de quelques archives du travail du travail de (l'histoire de) art' article by Tristan Trémeau, L'Art Même N°38, bruxelles, 1e trimestre 2008 |
| 2005 |
Tristan Trémeau, ‘Le
Tact du Tableau’, Art 21, N° 3. |
| 2005 |
Tristan Trémeau, ‘
Soudain, les fantômes
théologiques de l’image vinrent à ma rencontre
‘, L’Art Même, 2e trimestre, 2005. |
| 2004 |
Stéphane Doré,
'Stations',
Mick Finch et Olivier Gourvil, Amilly,Centre, exhibition catalogue. |
| 2001 |
Review of the exhibition
'Apellation
d'origine non contrôlée'
by Tristan Trémeau, Artpress 274, December,2001 |
| 2001 |
'Le Crisscross pop art /
supports-surfaces croiser les faire'
byTristan Trémeau, Ligeia, Special edition, 'Nouvelles
abstractions'. |
| 2001 |
Review of the exhibition
'Courant d'air'; 'L'art sans territoire fixe'
by Amandine Delcourt, DDO n°44. |
| 2000 |
Review of the exhibition 'Le pays où
le ciel est toujours bleu', 'Trans/formes', France Culture, 7
June 2000. |
| 2000 |
Review of the 'Wreck of Hope' by Michael
Wilson in Art Monthly, May 2000. |
| 1998 |
Review of 'plus
près que vous ne le croyiez' , by Tristan Trémeau
in Artpress, December edition. |
| 1998 |
Beaux Arts Magazine, 'À Voir' ,Oct. '98. |
| 1998 |
Pariscope, July 1998, preview in 'échos'. |
| 1998 |
'In
the Image of Painting /A l'Image de la Peinture'
catalogue text by Philip Armstrong, for the exhibition
'plus près que vous ne le croyiez', Art & Patrimoine Paris,
France. |
| 1998 |
'Peinture
Critique', catalogue text by Tristan Trémeau for the exhibition
'closer than you think 2', Le Carré, Lille, France. |
| 1998 |
'Du Pré-texte à L'Oeuvre', article by
Tristan Trémeau,
DDO, N° 32, France. |
| 1998 |
'Artist Transmanche', interview with
Tristan Trémeau in
DDO, N°32, France. |
| 1998 |
Art & Antiquities du Nord, N° 7,
June - July - August. |
| 1997 |
'Push', feature on the exhibition, Elle
magazine (France), Nov. '97. |
| 1997 |
'Push' reviewed by Christophe Domino
for Accrochage,
Frequence Protestante, France. |
| 1996 |
review of
'color and light' by Dominique Nahas,
www.plexus.org |
| 1996 |
'Constable on Opium' catalogue text Friedhelm
Hütte,
Contemporary Art at Deutsche Bank,
The Deutsche Bank collection
catalogue. |
| 1994 |
'L'Ame
du Fonds', catalogue text by Enrique Juncosa,
F.R.A.C. d'Ile de France. |
| 1994 |
'N17',
catalogue text by John Milne and Mick Finch,
Purdy Hicks, London |
| 1993 |
La
Collection Colas, catalogue monograph by Fabrice Hergott,
Colas, Paris. |
| 1992 |
'Le Sens
Figuré', monograph by Bernard Goy,
F.R.A.C. d'Ile de France, Paris. |
| 1992 |
Preview by Alistair Hicks. Antique and
New Art, Summer edition. |
| 1992 |
Interview with Dominque Hoff, Bonjour
Magazine,
Institut Francais de Londre. |
| 1991 |
'City and Dogs', article by Enrique Juncosa,
Balcon N°38. |
| 1990 |
'Sodium
Nights', catalogue text by James Maw, Pomeroy Purdy London. |
| 1985 |
'The Final Shows', review by William
Feaver,
The Financial Times, London. |

catalogues / book projects
|
| 2010 |
Bare Life, exhibition catalogue, Pinson Press / Las galerie, London,Paris. |
| 2010 |
Constellation, Pinson Press, London |
| 2009 |
With Chris Smith edited 'Writing on Practice', n°. 8.1/2 of the Journal of Visual Art Practice that also includes the article Studio Notes: Closer Than You Think, Ply-, Sublimey and Nevermind. |
| 2008 |
Five Years Periodical vol.2, n°.1, Five Years, London. |
| 2008 |
Taken As Read, Moments Artistique/Pinson Press, Paris |
| 2007 |
Point de fuite / vanishing point, Gallery 33/Pinson Press, Berlin. |
| 2006 |
‘Mickey
dans tous ses états, Artcurial, Paris. |
| 2004 |
Mick
Finch/Olivier Gourvil, Amilly,Centre. Text by Stéphane
Doré. |
| 2003 |
(Group exhibition)
Dessins d'Ici, L'Espace St. Jacques, St. Quentin, France, Galerie
la Petite Fabrique, Amiens, France, text by Alain Snyers. |
| 2002 |
CD ROM catalogue for the
exhibition 'Appelation
d'origine non controlée', Maison de la culture d'Amiens
/Espace culturel François-Mitterand, Beauvais, France. |
| 2001 |
'La
collection du Fonds régional d'art contemporain d'Ile-de-France',
catalogue and CD ROM of the collection. |
| 2000 |
The TI
Group Art Collection, Painting Graduates of the Royal College
of Art, 1975 - 2000, TI Group, London. |
| 2000 |
(Group exhibition)
'Le pays où le ciel est toujours bleu', published by the association
'20 rue des Curés', Orleans, France. |
| 1998 |
(Solo exhibition) 'plus
près que vous ne le croyiez',
text by Philip Armstrong (French and English),
published by Galerie Art & Patrimoine, Paris, France. |
| 1998 |
(Solo exhibition) 'Closer
Than You Think 2', text by
Tristan Trémeau (French), published by Galerie Le Carré, Lille,
France |
| 1998 |
(Group exhibition)
'Tech', text by Mick Finch (English),
published by Galerie é.o.f., Paris, France & Jason
& Rhodes Gallery, London, England |
| 1997 |
(Group exhibition) La
Biennale D'Issy,
published by the La Biennale d'Issy, Issey-Les-Moulineaux, France |
| 1996 |
Deutsche
Bank collection catalogue, text by Friedhelm Hütte (English),
published by Deutsche Bank, London ,England. |
| 1994 |
(Solo exhibition) 'N17',
text by John Milne (English),
published by the Purdy Hicks Gallery, London, England |
| 1994 |
(Group exhibition) 'L'Ame
du Fond', text by Enrique Juncosa (French),
published by the F.R.A.C. d'Ile de France, Paris, France. |
| 1993 |
(Group exhibition) Collection
Colas, text by Fabrice Hergott,
published by Colas, Paris, France. |
| 1992 |
(Group exhibition) 'Le
Sens Figuré'. text by Bernard Goy (French),
published by the F.R.A.C. d'Ile de France, Paris, France. |
| 1991 |
Bohnams Contemporary Art Auction, auction
catalogue,
Bohnams, London, England. |
| 1990 |
(Solo exhibition)
'Sodium Nights', text by James Maw (English),
published by the Pomeroy Purdy, London, England. |

published texts by mick finch
|
| 2011 |
Catalogue essay for an exhibition of Stuart Elliot's work, Seventeen Gallery, London. |
| 2010 |
Catalogue essay for an exhibition of the work of 'Thomas' (1941 - 2000), Galerie Michael Hasenclever, Munich. |
| 2009 |
Article, Studio Notes: Closer Than You Think, Ply-, Sublimey and Nevermind, The Journal of Visual Art Practice, n°. 8.1/2. |
| 2009 |
Review of the exhibition, The Russian Linesman, Hayward Gallery, London in artcritical.com. |
| 2009 |
Review of the exhibition, Figures du corps - une leçon d’anatomie aux Beaux-arts at the École nationale supérieure des beaux-arts de Paris, in artcritical.com
|
| 2008 |
Article , Notes From … Paris: Bridget Riley and Peter Doig at the Musée d’art moderne de la ville de Paris, artcritical.com, New York. |
| 2007 |
Article, 'Insidious' by
Guillaume Paris & Mick Finch with Cécile Dazord, for
the internet journal /seconds. |
| 2005 |
Review (written under the
name of "James Pinson") of a solo exhibition of Michel Paysant's
'Inventari(a'), Musée des Beaux-arts, Mulhouse, France,
Contemporary Magazine. |
| 2004 |
Review of Thomas
Hirschhorn's ' 24H Foucaul't, Palais de Tokyo Paris, Contemporary
Magazine. |
| 2004 |
Review of a solo exhibition of Eduoard
Pruhlière's work, galerie Filles du Calvaire, Paris,
Contemporary Magazine. |
| 2004 |
Review of a solo exhibition of Olivier
Gourvil 's work, The Gallery of the Ecole Supérieure
des Beaux-arts de Marseille, Contemporary Magazine. |
| 2004 |
Reviewof a solo exhibition of Dominique
Figarella 's work, Le Quartier centre d’art contemporain
de Quimper, France, Contemporary Magazine. |
| 2004 |
Review of a solo exhibition of Stephen
Maas' work,Galerie Fernand Léger, Centre d'art d'Ivry.Ivry-sur-seine,
France, Contemporary Magazine. |
| 2004 |
Article, 'Night
Shift', for a special edition on the 'situation of painting',
Contemporary Magazine (58). |
| 2004 |
Review of a solo exhibition of Pascal
Pinaud's painting, galerie Nathalie Obadia, Paris, Contemporary
Magazine (58). |
| 2003 |
Review of a solo exhibition of Guillaume
Paris' work, galerie Nelson, Paris, Contemporary Magazine
(57). |
| 2003 |
Review of the Bernard
Frize retrospective at the musée d'art moderne, Paris.
Contemporary Magazine (56). |
| 2001 |
Review of the exhibition,
'Peinture: Trois Regards',
Contemporary Visual Art Magazine (33), London. |
| 2000 |
'Daniel
Buren', Contemporary Visual Art Magazine (April). |
| 2000 |
Review of 'La peinture après l'abstraction'
(MAM,Paris) an 'Tableaux: La peinture n'est pas un genre' (museum
tour, France), The Burlington Magazine, London. |
| 2000 |
'Die
Marquis Von O: A painting by Frank Stella?'
exhibition text for the Bonnington Gallery web site,
Nottingham & Trent University, Nottingham. |
| 1999 |
Review of the 'Laboratorium' exhibition
in Antwerp, Belgium.
Contemporary Visual Art Magazine (25). |
| 1999 |
Review of David Hockney's exhibition
'Espace et Paysage'
(at the Pompidou Center, Paris). The Burlington Magazine, London. |
| 1998 |
'Prime Cuts',
catalogue essay for an exhibition of
Nicky Hoberman's paintings. Published by the Entwistle Gallery
London. |
| 1998 |
'Supports/Surfaces',
Contemporary Visual Art Magazine (20). |
| 1998 |
' Notes on Tech', catalogue essay for
'Tech',
Jason & Rhodes, London and Galerie é.of, Paris. |
| 1998 |
'Camping
Out : the work of Guillaume Paris & Malachi Farrell ',
Contemporary Visual Art Magazine (18). |
| 1998 |
'New
Technology, New Painting?',
Contemporary Visual Art Magazine (17). |
| 1997 |
'Painting
As Vigilance', Contemporary Visual
Art Magazine (15). |
| 1997 |
'Apparently
Real', catalogue essay for an exhibition of Torie Begg's work,
Wateroren, Theo Van Doesburgcentrum, Holland. |
| 1997 |
'Life
/Live ', Contemporary Visual Arts Magazine (14), spring 1997. |
| 1996 |
'Keeping
the Dialect of the Tribe Alive ;English Sculpture at the
Jeu de Paume', Contemporary Art Magazine (13), autumn edition. |
| 1996 |
'Conversations
with van Velde & Beckett',
book review,
Contemporary Art Magazine, summer edition. |
| 1995 |
'François
Rouan', Contemporary Art Magazine, winter edition. |
| 1994 |
'Georges Braque', Galeries Magazine N°
61, Paris. |
| 1994 |
'An Endless Metamorphosis', the work
of Miquel Barcelô,
Contemporary Art, autumn edition. |
| 1994 |
'Battle of the Giants', Contemporary
Art, autumn edition. |
| 1994 |
'L'Hostage par Art and Language'
L'Ame du Fond, F.R.A.C. d'Ile de France. |
| 1994 |
'Pulling Faces', (Review of Art and Language
at the Jeu de Paume)
Contemporary Art, spring edition. |

conferences / seminars
|
| 2010 |
The 'A' course: An Inquiry, conference at central Saint Martins, 26 and 27 March 2010. Participated in the session 'Art Education in 2010: Central Saint Martins Now.'
My conference notes for this session. |
| 2009 |
Panel discussion, 'Who is Art For': with Ingrid Swenson, Andrew McGettigan, Nick Lambrianou, Adam Knight and Mick Finch. Hosted by the Byam Shaw MA in Fine Art Course, 16 September 2009. Archive audio recording. |
| 2009 |
The Processes of Painting, How Art Thinks, the International Centre for Fine Art Research at the University of the Arts London. A one day symposium on Friday, June 26th 2009, 10 – 5pm at
the Swedenborg Society Hall, 20-21 Bloomsbury Way, WC1 - Speakers:
Stella Capes, Mikey Cuddihy, Jeff Dennis, Mick Finch, Rebecca Fortnum,
Dereck Harris, Katrine Hjelde, Vanessa Jackson, Paula Kane, Katie
Pratt, Mario Rossi and Daniel Sturgis. Mick Finch's symposium paper: Painting as Tableau. Tableau as Process. |
| 2009 |
Ideas and aperitifs research seminar at the International Centre for Fine Art Research, London. |
| 2008 |
Participation on the round table about the exhibition, Working Space
at the University of the Arts Gallery, Davies Street, London with J.J.
Charlesworth, Peter Fillingham, Mick Finch, Justin Hibbs, Guillaume
Paris, Dylan Shipton and David Ben White and chaired by Jane Lee. |
| 2007 |
Participation
on the round table ‘L'économie de l'art
: questions de production, de diffusion et d'exposition à l'ère
numérique’, moderated by Tristan Trémeau
in the conference SIANA
2007
(semaine international des arts numérique et alternatifs), Evry,
France, with : Hélène Mugnier, conseil art-entreprise, Pascale Ract,
artiste consultante pour Mona Lisa et Société Réaliste,
coopérative
d’artistes. |
| 2003 |
Gallery discussion
during the exhibition "L'art
dans ses passages/ Ce que porte la peinture", with Tristan
Trémeau, Aristide Bianchi, Gabriele Chiari, Ron Johnson
& Roxana Stoleru. Galerie Pitch, Paris.
|
| 2003 |
Participation
in a workshop and on the panel of a conference 'Y-a-t-il encore
une critique d'art?' With Christophe Domino, Emmanuel Hermange,
Cédric Loire, Frédéric Maufras, Jean-Claude
Moineau, Tristan Trémeau , during 'FRAAP', La Grande Halle
de la Villette, Paris. |
| 2002 |
'Politics, Mass
Media and Artists' Responsibility in Todays World': Jerôme
Sans, Julie Thomas, Anton Koslov, Tristan Trémeau, Amar
Lakal, Marwan Bishara, Waddick Doyle. The American University
of Paris, 20 November 2002. |
| 2000 |
Tableaux: La
Peinture n'est pas un genre' with the artists - Monique Frydmen,
Bernard Joubert, Jean-Pierre Pinceman, Philippe Richard, François
Rouan. With the critics - Tristan Trémeau and Eric
de Chassey. The Musée des Beaux-Arts, Tourcoing, France,
5 February 2000. |
|
1999 |
Presented
the paper: 'Supports/Surfaces
: Contexts and Issues' for the conference, 'Supports/Surfaces,
Critiques of Modernism'. The Courtauld Institute, London, England,
27 February 1999.
|
|
1998 |
Presented the
paper: 'Theatre/Spectacle,
Absorption/Lived Time ' for the'Painting & Time'
conference, The University of Hull, Hull, England. |
| |
|
| TV
/ radio |
| 2009 |
Inside the Art Schools, The Sunday Feature,
11 Jan 2009, 21:30, BBC Radio 3. |

teaching
/ academic
|
| 2008 - present |
| Member of the editorial board of the 'Journal of Visual Art Practice, U.K |
| |
| 2008 - present |
2D Pathway Leader, B.A. Fine Art,
Central Saint Martins School of Art, London, U.K. |
| |
| 2005
- 2006 |
External
Examiner in B.A. Painting,
University of the Arts London / Camberwell College of Art, U.K. |
| |
| 2000
- 2007 |
|
Member of the editorial advisory board of the
'Journal of Visual Art Practice, U.K. |
| |
| 11/1999
- 12/2007 |
|
Professeur de couleur et pratiques picturales,
Ecole des Beaux-arts de Valenciennes, France. |
| |
| 1/1998
- 12/1999 |
|
Subject Leader in Painting, Kent Institute of Art and Design,
Canterbury, U.K. |
| |
| 9/1996
- 12/1997 |
| Chair
of Foundation, Parsons School of Design, Paris, France. |
| |
| 9/1992
- 6/1996 |
Senior
year studio Fine Art tutor, Liberal Studies tutor,
gallery coordinator, Parsons School of Design, Paris, France. |
| |
| 9/1986
- 5/1991 |
| Drawing
tutor, Richmond College, London, U.K. |

visiting lecturer
|
|
KUVA, Fine Art Academy, Helsinki, Finland.
Ravensbourne College of Art, U.K.
Wimbledon School of Art , U.K.
Manchester School of Art, U.K.
Royal College of Art, London, U.K.
Royal Academy of Art, London, U.K.
Winchester School of Art, U.K.
Norwich School of Art, U.K.
Kent Institute of Art and Design, U.K.
Loughborough University, U.K.
Nottingham-Trent University, U.K.
Middlesex University, London, UK.
University of the Arts London, Camberwell College of Art, U.K.
West Dean, MA Fine Art, Chichester, U.K.
Ohio State University, Columbus, Ohio, U.S.A.
Ecole des Beaux-arts de Valence, France.
Ecole nationale supérieure d'arts de Cergy-Pontoise ,
France.
Académie Royale des Beaux-arts de Bruxelles, Belgium.
Bath School of Art and Design ( Bath Spa University).
|

external examiner
|
| 2010 - present |
| Winchester School of Art, University of Southampton, BA Fine Art. |
| 2003 - 2005 |
| University of the Arts London, Camberwell College of Art, BA Painting. |
|

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